The art of aural feedback

Two images to admire as extensions of the sound artwork of Max Neuhaus (1939-2009):

Max Neuhaus, poster for PUBLIC SUPPLY I, 1966

In Public Supply I, Neuhaus “combined a radio station with the telephone network and created a two-way public aural space twenty miles in diameter encompassing New York City, where any inhabitant could join a live dialogue with sound by making a phone call.”

Listen here to an audio file of the artwork.

Max Neuhaus, LISTEN, poster with photograph of Brooklyn Bridge from South Street, New York City, 1976

This poster was one of a series of artworks Neuhaus made on the concept of aural attention in various media between 1966 and 1978.

Of the poster above, Neuhaus wrote,

I organized ‘field-trips’ to places which were generally inaccessible and had sounds which could never be captured on a recording. I also did some versions as publications. One of these was a poster with a view looking up from under the Brooklyn Bridge, with the word LISTEN stamped in large letters on the underside of the bridge. It came from a long fascination of mine with sounds of traffic moving across that bridge – the rich sound texture formed from hundreds of tires rolling over the open grating of the roadbed, each with a different speed and tread.