Emory Douglas, Nixon/Agnew, from Black Panther newspaper. Offset lithograph. Copyright 2009 Emory Douglas/Artists Rights Society (ARS), New York.

As the Republican National Convention kicks off in Tampa, FL…

Emory Douglas’s psychedelic-and-engagé graphic art.

This was another discovery from West of Center: Art and the Counterculture Experiment in America, 1965-1977.

Here is Colette Gaiter’s description of the above print, from her essay, “The Revolution Will Be Visualized: Black Panther Artist Emory Douglas” in the compilation:

Collage was one of Douglas’s most favored techniques. In the Richard Nixon/Spiro Agnew image, he juxtaposed a photograph of the Republican nominees celebrating their ticket (from the cover of Time magazine on August 16, 1968) with images of anguished black people[…]Douglas’s collage alludes to controversial perceptions that the Nixon administration neglected problems of the urban, mostly black, poor. (246)


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